

“All powerful men-ask any hooker-they like to lose power. Why? Because, the filmmaker explains, the vice president calls his wife “Mother”-which means he might be “an adult baby.” Waters, by the way, spits out the word “mother” like it’s a horrid slur, a funny reversal coming from the king of blasphemy. “That’s the only way to get him-but the scariest thing is if he’s gone, we have Pence, who’s even worse,” says Waters. (Waters is especially fond of dreaming up Trump-inspired porn titles, like Comb Over and Blow Me.)

Though few things shock Waters, he is still human (don’t tell!) and is finding ways to use his art to cope with devastating political news-by, for example, writing profane jokes about President Trump, which he hopes will “humiliate” him.
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“Even when she was in Trog, she acted like she was in Long Day’s Journey into Night,” he explains. Waters’s adoration of Crawford runs so deep that when the British Film Institute in London asked him last year to select his favorite British films, Crawford’s truly “embarrassing” final project Trog was on his list.
